( Fig. 1 – movie poster)
“Duel” (1971) is
in essence suspense on four wheels. The dramatic car chase scenes, and the
faceless evil, driving a rusty old truck can leave the viewers breathless and
almost in panic. (fig. 2) Ian Freer talks about the film: “Built on a skilful ebb and flow axis of surprise and suspense, it has
few rivals when it comes to sustaining an action agenda throughout the full
running time.” (Freer, 2015)
(Fig. 2 – movie still)
What makes the film so intriguing is the constant
acceleration from the start to the very end. This theme is repeated multiple
times on multiple layers. From the car and the truck, to the racing and
panicked mind of a man whose life is threatened. This pressure leaves no
breathing room whatsoever and leaves the viewers gasping for air. John Kenneth
talks about this: “The film is precisely
what the title promises: a "clash" between two dedicated combatants
(a man driving a car and an unseen person manning the evil truck), with
Spielberg's splendid sense of visual metaphor carrying the day.” (Kenneth,
2010)
“Duel” doesn’t have
extensive dialogues and maybe that is the reason why every time speech is
heard, it probably means something and it isn’t just a mundane chat. For
instance the dialogue between David (Dennis Weaver) and his wife, is concerned
with his masculinity and how he should have defended his spouse the night
before. Maybe this dialogue is the driving force behind “Duel” the desire of the husband to prove himself as a man.
“Duel” was
originally made for television but it was quickly recognised that the movie
deserves to be on the big screen.
In conclusion, it can be said that the film ends a bit too
quickly with the end credits suggesting that it’s finished, without them no one
in the movie theatre would move, expecting the malicious truck driver to rise
from the dead and continue the chase. (fig. 3) Janet Maslin talks about the
film: “the film loses its momentum and becomes somewhat clumsy. The ending is
abrupt, too, but the main impression left by ''Duel'' is one of talent and
energy. Mr Spielberg seemed, with this film, to be headed for bigger and better
things. Sure enough, he was.” (Maslin, 2015)
(fig. 3 – movie still)
Images:
Fig. 1 - Impawards.com, (2015). Duel: Extra Large Movie
Poster Image - Internet Movie Poster Awards Gallery. [online] Available at:
http://www.impawards.com/1971/duel_xlg.html [Accessed 13 Feb. 2015].
Fig. 2 - 2.bp.blogspot.com, (2015). [online] Available at:
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEahfspTttNX7BiFipAwBgHORGm_VigeOzzYjgjREubEMchKebx-Ta1xfj0n-YC7U72Bkxui4IxBkWPF8cSzNkPODZpZUvcM6ATwDc1WxHqZabNCLdskAy9qtwYlsecrNiseryQeYPyuL1/s1600/duel2.jpg
[Accessed 13 Feb. 2015].
Fig. 3 – Ontheroadtospectacle.files.wordpress.com, (2015).
[online] Available at:
https://ontheroadtospectacle.files.wordpress.com/2010/04/duel-1971-4.jpg
[Accessed 13 Feb. 2015].
Bibliography:
Freer, I. (2015). Empireonline Reviews | Reviews | Empire.
[online] empireonline.com. Available at:
http://www.empireonline.com/reviews/reviewcomplete.asp?FID=132737 [Accessed 13
Feb. 2015].
Kenneth, J. (2010). John Kenneth Muir's Reflections on Cult
Movies and Classic TV: CULT TV-MOVIE REVIEW: Duel (1971). [online]
Reflectionsonfilmandtelevision.blogspot.co.uk. Available at:
http://reflectionsonfilmandtelevision.blogspot.co.uk/2010/12/cult-tv-movie-review-duel-1971.html
[Accessed 13 Feb. 2015].
Maslin, J. (2015). Movie Review - Duel - 'SPIELBERG'S
'DUEL,' FOUR-WHEEL COMBAT - NYTimes.com. [online] Nytimes.com. Available at:
http://www.nytimes.com/movie/review?res=9804EFD81138F936A25757C0A965948260
[Accessed 13 Feb. 2015].
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